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Press Release No.1 CODE:RED USA CODE:RED (1999-2004) is an on going
project which investigates and discusses the aspects of prostitution and
sexual work as a specific form of parallel economy. It researches analogue
economic models: those of isolated groups and social minorities. The project
uses real and virtual spaces and takes the form of an open dialogue between
artists, sex workers and the public in selected urban environments and
local contexts. Above all the CODE:RED project intends to offer an introduction
of economic and political ideas to new social practices and artistic applications.
It is a model of cognitive mapping that gives the sex workers - who are
among the most marginalised and deprived population groups in the urban
environment - a chance to speak out and be seen in a new context. The
CODE:RED project represents a prototypical attempt to open and co-create
a common ground for communication and dialogue between the public, artists
and the sex workers community. P.A.R.A.S.I.T.E. Museum of Contemporary Art (PMCA) is a symbolic virtual institution and critical formation. Its location and identity are unclear and for most even today still completely unknown. PMCA became renown with the reusing of the logo of the Museum of Contemporary Art Chicago and the theft of the introductory speech of the director of the Guggenheim museum from its homepage. These actions became the trademarks of the P.A.R.A.S.I.T.E. museum. Numerous interventions into the following museum collections followed: Boijmans van Boyningen, Rotterdam; Museum of Contemporary History, Ljubljana; Naturmuseum, Rotterdam, Museum of Modern Art, Ljubljana; Mucsarnok, Budimpesta; Moderna Museet, Stockholm, etc. Extreme media attention and fame was reached at the 49th Venice Biennial with the organisation of the 1stt World Congress of Sex Workers and New parasitism in Giardani in the frame of the CODE:RED, Sex Worker project. In the most recent projects PMCA deals with the research and analysis of parallel information strategies and parallel economic models in selected urban areas. PMCA co-operated at numerous manifestations and events such as Manifesta 1 in Rotterdam; After the Wall in Stockholm, Berlin, Budapest; 49. Venice Biennial; Steiricher Herbst 2001 in Graz; Museo de Arte Carrillo Gil in Mexico City; ZKM Karlsruhe. CODE:RED USA homepage
This project was made possible, in part, by funds from the Franklin Furnace Fund for Performance Art, supported by Jerome Foundation and the New York State Council on the Arts. The project was partly supported by Ministry of Culture of the Republic of Slovenia. |